Tag Archive for: entrepreneurship

company

“What happened to your first company?”

It’s a question that I’m asked a lot when people read about {r}evolution apparel and what I was working on before Factory45.

Usually the question is posed with slight trepidation — like the person doesn’t want to bring up a sore subject.

The assumption is that the company fizzled out or flopped or just straight-up failed.

But none of those are true, and I think that’s why it’s so hard for people to understand it.

How could we let go of something so good?

Believe me, it wasn’t easy — but if I know anything, it’s that dreams change. (If they didn’t, then I’d be a strung-out lawyer in downtown Manhattan right now.)

So, here it goes — three years later, the truth about why my first company ended.

It was the summer of 2012 and Kristin, my co-founder, and I had just come off the most successful fashion Kickstarter of all time. We had tripled our goal amount to raise over $64K, quadrupling our first production order of our product, the Versalette.

With the extra capital we raised, we convinced each other that it would be a great idea to embark on a “sustainable fashion tour” of the Pacific Northwest. It would help us build brand awareness, tell people about the Versalette, and film mini documentaries with the help of a film intern.

We bought a 1993 Chevy conversion van off of Craig’s List for $5K, decked it out with a new paint job and {r}evolution apparel branding and drove from Kristin’s parents’ house in Missouri to Vancouver, Canada.

Over the course of the summer, we hit up Seattle, Portland, Eugene and San Francisco, interviewing some of our industry “idols” like Lynda Grose, Kate Fletcher and Justin Dillon. We debuted mini documentaries of our travels each week, blogged about it, hosted in-person events and pop-up shops, and even secured a media sponsor.

We spent two months couch surfing, sleeping in the van when we couldn’t find a place to stay, shipping Versalettes out of our trunk, and flying back and forth to North Carolina where our production was ongoing. We secured our first paid speaking engagement and were paid $3K for a 15-minute talk.

By the time August hit, we were so burnt out that we decided to cut the tour two weeks short. I flew home to Boston to see my high school friend get married, Kristin flew back to Boulder and we agreed we would meet back up in a few weeks.

For more than 60 days, Kristin and I had been together for every waking moment. Through the stress of managing two college interns, through the stress of quality control issues with our sew shop, through the stress of hosting event after event (and keeping up with usual business obligations), our business relationship and friendship had been put through the ringer.

And then September rolled around and instead of listening to our intuition — slow down, enjoy the journey, don’t rush the process — we flew back to Portland to redesign the Versalette for a second production run.

We secured $30K in angel investment, finalized the “Versalette 2.0,” found a new production partner that better aligned with our aesthetic and mapped out financial projections into 2017.

“We’re going to be the next Spanx!”

“Are we really going to do this for another five years?”

“We should totally get on The Today Show!”

“Do you think we’re going to be able to sell more of these?”

The emotional rollercoaster of entrepreneurship was a daily mind-warp between, “We can do this!” and “Do we really want to do this?”

It was crazy even to consider letting go of what we had built (as some of our customers later told us).

We had achieved something that most startups only dream about. In our first legitimate year of business, we had surpassed more than $100,000 in sales, and we were profitable. As Kristin has said, that never happens.

We had sold out (almost immediately) of our entire inventory of Versalettes and we had 1,400 new customers who also happened to be our biggest fans.

It was terrifying to walk away from something that we had sunk so much of ourselves into.

But we craved our own identities (at the time, we were known only together as Kristin and Shannon), we craved new projects, we craved new challenges. We started to envision what life would be like on the other side of {r}evolution apparel.

So we said goodbye — knowing that, for both of us, it was more important to part as friends than to stay together as an obligation.

So there you have it: we didn’t go bankrupt or end up hating each other. The dream changed and we decided to listen to our intuition.

Whatever your dream is, I hope you follow it. Great things can happen — things you may not have been able to dream up holding onto the old.

It did for me.

 

 


Crowdfunding

marketing

Every few months, I’ll get hit with a lack of marketing “mojo.”

Usually, marketing is my top priority. (It should be yours, too, if you’re running a business.) I know the marketing channels that are most effective for me and I’m typically very strict with my output.

But then, all of the sudden, I’ll wake up one morning and it’s like some sort of whimsy, lazy fairy flew into my life to take all of the motivation away.

Especially when the Factory45 program is in session, I’ll start investing more time in helping other people start their businesses and let my own business fall to the wayside. Which is all good and dandy until I’m hit with a major dose of business FOMO.

“Man, I really wish I had made that list.”

“Wow, she got that feature? I wish I had pitched that.”

“I should totally capitalize on that topic and write about it… maybe tomorrow…”

I find myself justifying my lack of motivation with thoughts like: everyone needs a break sometimes… or… I’ll do it after the holiday weekend… or (my favorite one)… it’s summer / holiday season / school vacation, no one is paying attention anyway.

While I’m all about dishing advice and sharing lessons learned, it should go without saying that my entrepreneurial journey is a work in progress just like anyone else’s.

Even writing about not having motivation makes me want to stop writing this post. The struggle is real.

The silver lining, though, is that I’m able to look at this phase as just another state of entrepreneurship — my guess is that even Richard Branson takes a hiatus on his private islands once in a while.

When you don’t have two-weeks designated vacation time or a job that ends at 5pm, it can be easy to forget that very few people push full-steam ahead 100 percent of the time.

And while this is certainly not my first time in entrepreneurial La-La land, it’s the first time I haven’t tried so hard to fight it. I’ve been conscious of not attaching negativity to it even if I would have felt immense guilt in the past.

In doing so, I’ve been able to look at this lack of motivation in a way that will make it easier to manage next time.

In case you ever find yourself in a similar boat, here’s what I’ve observed:

1.) Embrace it. I was traveling for two weeks and by the time I got back to Boston last week, I had caught some sort of illness and completely lost my voice. By Wednesday, my typical writing day, the last thing I wanted to do was write a blog post.

It’s kind of embarrassing how much I struggled with the idea of taking a week off from the blog. What if someone notices they didn’t get an email from me? What will I post on social media during that time slot? What if people unsubscribe?

Eventually, I was able to get rational about the fact that zero people will care if they don’t hear from me. That simple realization allowed me to embrace a free afternoon of laying on the couch with a box of tissues, a cup of tea and a steady line up of Netflix.

It was so much more productive when I chose to embrace the “lack of productivity” rather than waste energy on fighting it.

2.) Give your attention to your behind-the-scenes operations. Lacking the creativity for another Instagram post or quippy tweet? Use the other side of your brain and focus on the aspects that may be pivotal to your business but probably aren’t seen by your customers or audience.

For me, that means giving extra time and attention to my Factory45’ers: jumping on impromptu phone calls when they need it, fully engaging in our private Facebook group, problem solving during office hours, and giving them the best client experience possible.

It may not be direct marketing ammunition, but more important than the perfect Instagram photo is the user experience you’re giving your customers.

3.) This too shall pass. There is nothing constant about running a business. It’s always changing and evolving and depending on the season, your launch schedule, your production timeline and other factors, your marketing mojo will eventually come back to you.

Don’t let your current state convince you that it’s here to stay.

4.) Accept it. There is always going to be a colleague, another designer or a company you look up to, appearing to be multiple steps ahead of you. That’s life — running a business is no different.

The truth is, you’re not missing out. Your experience is unique to you and you’re exactly where you should be. There is always going to be another opportunity, there is enough time, and your journey should be dictated by you — not by an outside perception of someone else.

Do you and good things will happen. 

 

 

 

 


Four years ago I co-created the highest funded fashion project in Kickstarter history at the time.

To fund the first production run of our product, the Versalette, one garment that can be worn over 30 different ways, my co-founder and I looked to Kickstarter to raise $20K in 30 days.

What happened over those 30 days far surpassed our wildest dreams. Not only did we acquire nearly 800 backers, quadruple our first production order and attract the attention of The New York Times, but we finally saw a year and a half of hard work pay off.

When we clicked the launch button we had no idea what to expect. We had an email list of less than 500 people, a Twitter following of about 800 and a Facebook following of less than 1,000.

Kickstarter wasn’t what it is today, so it had far less traffic and didn’t yet have the trust of potential backers who didn’t know what “a Kickstarter” was.

But despite the lack of internet marketing tactics, an advertising budget or a team of employees, my co-founder and I did have one thing on our side.

A compelling story.

K&S-Bio

For a year and a half, we had been leveraging effective storytelling through blogging and social media. Four years later, branding gurus now call that “content marketing.”

Our marketing strategy wasn’t calculated or premeditated — even though it would have been a pretty smart plan. We were just two aspiring entrepreneurs in our mid-twenties who wanted to start a sustainable apparel company. And we wanted to share that journey.

We were transparent, candid, and authentic — not holding back with stories from the “entrepreneurial trenches.” We blogged weekly to share our experiences with our small readership and the more honest we were, the more our audience responded.

By the time we launched our Kickstarter campaign, our “followers” knew about our first big co-founder fight, our samplemaking mistakes, and our expectations for what we were going to create and how we were going to create it.

Do you know what happens when your followers feel like they’re invested in your past, present, and future? They get out their wallets and invest in you.

We raised $10K in 36 hours and with more than half of our campaign left, we blew past our goal of $20K to finish our last day with $64,246.

The lesson? If you have a compelling story that’s authentic and “shareable,” then the idea will spread.

Lookbook 1

Whether you’re prepping for a Kickstarter campaign down the road, planning to bootstrap your business, or are looking to raise VC money, your brand must have an engaging story that resonates with potential customers.

The good news is, creating that story is a lot easier than you think. It’s simply a matter of being authentic, tapping into what is uniquely you, and sharing it.

Here are a few questions to ask yourself if you’re in the branding phase of starting your company and are still trying to figure out how you’re different:

  • Ask a few close friends what they think is most interesting about you and your background. What do people tell you is especially cool about who you are?
  • What problem are you solving for your customer? What is especially interesting about that problem and your solution for it?
  • What is your “one sticky message?” Meaning if you had to come up with one sentence that described your story, how would you make it super memorable and “shareable.”
  • If you were at a networking event and you had to do one of those awkward “ice breakers” what would be the interesting “fun fact” you told everyone about yourself?

These are prompts to get you thinking — the trick is to weave together the best components of your story in a way that engages others to want to know more.

website screenshot

As soon as you have a foundation for your story, you have to start telling it. And that’s the hardest part. It’s scary to put yourself out there, show vulnerability, and not really know what’s going to happen.

But the sooner you do it, the closer you are to creating a brand.

And you know what happens when you have a great brand?

You start to attract customers.

And then, not only do you have a product, a story, and a brand —

You have a business.

 


 
 
 

This article originally appeared as a guest post on Startup Fashion here.


crowdfunding cta

 

A few years ago, I went to Bali and wrote two versions of a book.

I know, how obnoxiously “Eat, Pray, Love” of me.

My former co-founder and I had decided to close our doors at {r}evolution apparel (after completely burning out our relationship) and it was an impulse purchase I made with my portion of our leftover funds.

I left Boulder, CO, moved in with my parents in Boston, and a month later hopped a flight halfway around the world.

After the success of our Kickstarter campaign, people were constantly saying, “You guys need to write a book.”

“Write about your journey,” they said.

“Write about the success of your Kickstarter.”

“Write about the changes needed in the fashion industry.” The suggestions were endless.

So, with the mixed emotions of heartbreak and relief that happen when you walk away from a business that seems to have such a bright future, I went to Bali to write the book that everyone said we should write.

I booked a private room for $500/month on Airbnb and found myself two miles from the nearest town surrounded by rice paddies and oxen.

For 30 days I followed the same rigid schedule. Wake up with the sun, follow the dirt road into town for yoga, eat lunch at a local cafe, walk 30 minutes home, stop for a fresh coconut, sit out on my front porch — write 2,000 words.

bali-two copy

I reasoned that if I could average 2,000 words a day, then I would have 60,000 words by the time I left. And you only need 60,000 words for a full-length book.

The process was both grueling and therapeutic as I sifted through three years of memories.

Why we decided to start a clothing company.

How we got interested in sustainability.

An account of our first fight.

What we learned from botching our first prototype.

What it’s like to spend two months driving a conversion van around the country.

By day 15, I was ready to delete the whole file. Just burn it. Not a trace of evidence.

Instead, I opened a new document and started over.

bali-three copy

By the time I flew back to the States, I had written two 30,000 word drafts with no intention of either seeing the light of day.

Three years later, they’re still sitting on my old, mostly-broken laptop — without a backup file.

Now I’m not going to tie this all back into the importance of creating a routine to reach goals. Or a lesson on how goals change. Or how everything happens for a reason. I’m not a personal development coach.

But I do have something to say about the “journey.”

I’m as guilty as the next person when it comes to expectations and outcomes. Most of us start businesses with the intention of making a living off of it.

Yes, passion and joy can be the driving motivators in getting started, but the desired outcome is to be able to support yourself off of that passion and joy.

The danger — the thing to look out for — is when you realize you’re only focused on the outcome.

Because that’s when you miss the journey.

About a year into starting {r}evolution apparel, I remember writing a post for our first blog – it was a letter to myself, and I’ll never forget the last sentence:

“You’re not going to be a 25-year-old bartender trying to start a clothing company forever.”

That sentence has been embedded in my brain for the past five years and as time passes, I find myself adjusting the words to fit my current age and situation.

You’re not going to be here, right now, doing this… forever.

bali-four copy (1)

It may seem painfully obvious, but I think it’s something that a lot of us entrepreneurs tend to forget.

Starting a business is one of the most challenging endeavours a person can take on — it’s a complete mind game, a lonely road, and can be uncomfortably risky. Are you going to enjoy every single moment of it? No.

But if you aren’t stopping every so often to appreciate what you’ve built, what you’ve created and what you’re going through — that 99% of the world never will — then what’s it all for?

When I look back at the month of my life spent writing a book, I can easily see it as time and money wasted.

Did I have big plans to pitch to publishers? Yes.

Did I have more realistic plans to self publish and sell it on Amazon? For sure.

Instead, I showed myself that I was capable of committing to a routine, to seeing a project through and being okay with a different outcome.

Entrepreneurs have to be courageous, committed and adaptable. But more than anything, they need to be able to see a vision for the future —

with an even greater appreciation for the present.


Raise your hand if you’ve seen more fashion Kickstarter campaigns than you can count and you’re feeling kind of “over it”…

Considering that I dedicate an entire module of Factory45 to teaching entrepreneurs how to launch successful crowdfunding campaigns, I’m sure it sounds weird for me to say that.

But I’m going somewhere with this.

I regularly get emails from people who want me to share the news about their upcoming Kickstarters. Oxford button downs, dresses for the working woman, lingerie, kids clothes, you name it.

The problem isn’t in launching a Kickstarter.

I think crowdfunding is awesome – it reduces the risk of production, alleviates startup costs and provides free marketing and customer feedback.

The problem lies in the way the story is being told.

For the most part, the sustainable fashion projects going through Kickstarter aren’t saying anything different from the last one. The majority are riding the same wave:

  • We manufacture in the USA.
  • We use only the most sustainable fabrics.
  • We say ‘no’ to fast fashion.
  • We believe in a better planet.

Sound familiar?

As the same thing is being said over and over again, do you know what’s happening?

Consumers are shutting off and becoming numb to the same “our fashion saves the planet” mantra.

 

We’re now in a time when being asked to support a Kickstarter is becoming more common than contributing to the neighborhood kid’s bake sale (yum, do those still exist?)

If you’re going to ask people to support, share and back your campaign, then your story has to be unlike anyone else’s.

Yes, consumers are now more willing to pay a small premium for ethically-made products, but saying so shouldn’t be your marketing tactic. It should be an afterthought.

Kind of like, “Well yeah, of course our company manufacturers ethically and transparently.”

Or:

“Well yeah, of course we’re always pushing to use the most sustainable materials possible.”

The ethics and sustainability of a company should be embedded into the business model as a non-negotiable, not a strategy for saying: “Aren’t we so great? You should pledge to our Kickstarter.”

As the fashion industry becomes more and more accessible to new designers who want to launch their own collections, there is going to be more competition in the market.

As I tell my Factory45’ers, the best way to stand out from the competition is to say something new — something memorable.

Here are a few examples of Kickstarter campaigns that are telling a different story about ethical and sustainable fashion and are doing it well:

VICTOR ATHLETICS

Organic, vintage-inspired athletic wear for men & women, made by small-town American factories and delivered directly to you.

What they do well:

  • The organic materials of their new athletic line is mentioned briefly in the description, but the story focuses on the small-town American factory as the victor.
  • They created a hero or protagonist to pull for.
  • They’ve made organic cotton and made-in-the-USA “sexy” with appealing visuals and a brand aesthetic that isn’t crunchy, hippie or rustic.

victor

FLINT & TINDER

A premium sweatshirt built for life, designed for a decade.

What they do well:

  • Jake Bronstein has done multiple Kickstarter campaigns for his company, Flint & Tinder, but this was the most successful. This is Kickstarter’s only fashion project that raised over a million dollars.
  • The story is focused on a hooded sweatshirt that will last 10 years. If it doesn’t, you can send it in to be mended.
  • Fast fashion thrives on the idea of planned obsolescence which is exactly what this campaign is combatting. What Jake did really well was put the focus on the consumer’s desire instead of the same old fast fashion story. Who wouldn’t want a sweatshirt that will last 10 years?

10-year-hoodie

SWORD & PLOUGH

A quadruple bottom line bag company that works with veterans to repurpose military surplus fabric into stylish bags.

What they did well:

  • The labor story is focused on military veterans who are employed to make the bags.
  • The materials story is focused on surplus military materials that would otherwise be wasted.
  • Most compelling of all is the story of two sisters, one who is in the army, starting a business together.

sword-plough

If you’re getting ready to launch a Kickstarter campaign or are thinking about it for the future, this is the best advice I can give you: say something new.

If you do that, I’m certain you’ll get a better response from potential customers, from the press pitches you send out, and from the industry at large.

 

 

 


crowdfunding cta

A while back, I wrote a post about entrepreneurship and the real downfall of failure.

I argued that it isn’t the act of failing itself that’s the most terrifying, it’s the external connections we make to it.

If we fail, we’ll lose our dignity.

If we fail, we’ll lose our life savings.

If we fail, we’ll lose our home.

While these are extreme examples, I know our thinking can often go to “worst-case-scenario.”

I remember a conversation was brought up by one of the entrepreneurs in this year’s Factory45 program. She wrote:

I’m looking for advice: Having just finished my master’s degree, it may come as a surprise to some family and friends who don’t know about my project yet that I’m going the entrepreneurship route. Anyone have tips on how to introduce a significant career change to family, friends, and/or even an employer (I plan to keep my full-time job for a while)?

This got me thinking about the “pre-failure phase.”

Before the fear of failure is even an option, first there is the fear of getting started.

It’s the fear of taking the plunge. Of not knowing what’s going to happen. Of worrying what your family and friends are going to think.

The greatest inhibitor to becoming an entrepreneur or pursuing a great idea or moving forward with your true life’s work is — never getting started in the first place.

When we make it public and declare our idea to the world, we simultaneously have to face the feeling of being seen.

Being seen means you open yourself to critics, you open yourself to the doubters, and you open yourself to vulnerability in a way you probably haven’t before.

Throw in the visibility of the modern-day Internet to the mix and the stakes get a whole lot higher.

I’m no stranger to critics. While the supporters in my life far outweigh the cynics, it doesn’t make the occasional negativity sting any less.

I’ve been called an asshole, a “self-aggrandizing bitch,” a piece of shit and other equally flattering names (I don’t read the comments section of The Huffington Post anymore).

I’ve had outsiders call Factory45 just another “expensive online course” (I won’t even dignify that with a rebuttal).

And year after year, I’ve faced family and friends at Christmas parties, dinner parties and happy hours, wondering when I’m going to get a “real job.”

Over the past five years as an entrepreneur, I’ve had practice dealing with the “gremlins” (yep, you cross me, I dub you a gremlin).

While an off-putting email or comment can still throw off my day at times, I can tell you it does get easier.

If you’re one of those people, who is tinkering with a great idea, a new business or an alternative career path, remember this:

The critics, the doubters, the cynics only have power if you give them the power.

As hard as it may be, you can consciously accept that there will always be some degree of negativity coming at you, but you can also consciously choose how you react to it.

Power is energy. And you get to decide where to put that energy. It can either be your demise or… your strength.

Like I said, I loved some of the other responses from this year’s Factory45 crew, so I want to close by sharing a few pieces of their advice in opening yourself up to getting started:

  • Stay close to those who support your dreams and let you blab on and on, even though they don’t understand what you’re talking about.
  • Speak from a place of vulnerability. Don’t predict the reaction you’re going to get, because it will come out in your tone.
  • At the end of the day, our opinion is the only one that matters. It really is. At the end of the day, you are responsible for your life.
  • I feel that when I do get the occasional negative reaction, it’s usually from people that have never tried to make their own dreams a reality.
  • Walk into the conversation with the knowledge that approval is not the goal – information is. You want those around you to be part of the vision, to be in inquiry with you… and I would recommend making it a two-way and engaging conversation.
  • “The only way to do great work is to love what you do. If you haven’t found it yet, keep looking, don’t settle. As with all matters of the heart, you’ll know when you find it.” – Steve Jobs

If you’ve been a Factory45 reader for a while you know I’m a big fan of Dr. Brene Brown, who is a researcher on vulnerability and shame.

You may know her from her two viral TED talks. She did another talk that’s not as well known called, “Why Your Critics Aren’t the Ones Who Count.” It’s a must watch — even if you’re the most confident guy/gal on the planet.

 

 

 


clothing company

The winter of 2011 was a tough one. I had been trying to set up a supply chain for my clothing company for five months and by February, my co-founder and I had hit a mental and logistical standstill.

Looking back, five months seems like nothing. But for two driven, go-getter types, every ignored email and unanswered phone call was a mini blow to our motivation.

We simply couldn’t figure out what we were doing wrong. How was it possible that not one fabric supplier, factory or sew shop would give us the time of day?

We were at our wits end when we got a reply from a designer who said he could make our first samples. We didn’t have fabric or materials yet, but at least samples would feel like progress.

When we got on our first phone call with him he was adamant that we should fly to North Carolina to meet him. We could go over everything, work face to face and make a plan of attack for moving forward.

Resting our hopes on the chance that this person could also introduce us to a fabric supplier or a manufacturer, we booked flights for the following weekend.

All things considered, our weekend in North Carolina was weird.

We checked into a hostel in downtown Asheville and immediately went to a nearby bar where the designer had told us to meet him.

What ensued was a three hour “happy hour” in which he continued to slug beer after beer while not once mentioning our business, our design ideas or why we were there.

Promising that he would get to “it” eventually, we arranged to meet the following day at his home.

If this sounds sketchy, remember that a lot of designers / samplemakers / patternmakers work out of their homes. Also, remember that we had flown 1,000 miles, spent our savings on flights, and felt like we had no other option.

Desperation puts you in interesting situations.

We spent several hours the next day in his basement going over our sketches, spec sheets and designs and we decided that we would start with just one sample to test the waters.

He said he would create a prototype for our “maxi dress” design and ship it to us in two weeks. We left North Carolina feeling hopeful and cautiously optimistic.

Turns out, we didn’t receive our sample in two weeks.

It showed up in four weeks and when I pulled it out of the box, it looked nothing like our original design.

Instead of being full length, it was knee-length.

Instead of a sweetheart neckline, it had a scoop neck.

Instead of spaghetti straps that tied around the neck, it had thick straps that went straight back.

To top it off, he had included a “sash” to be tied around the waist in a bow!

My co-founder and I got on Skype (we didn’t live in the same city) and I showed her a dress that couldn’t have looked more different than the one we designed.

We had just spent hundreds of dollars on flights, hotels, a rental car and other travel expenses and we still owed money to pay for a sample we couldn’t use.

It was a critical moment and I had reached a breaking point.

I was mad at myself for not listening to my gut, I was mad at the designer for making us fly across the country, and I was mad that we listened to him.

All signs pointed to: You’re crazy for thinking you could do this.

Quit now.

And that would have been a much easier option — except that’s not how dreams work.

I was either going to do this, despite how freaking hard it would continue to be, or I was going to walk away.

Thank goodness, I decided to keep going.

To be fair, it didn’t get any easier in the following eight months. But we did make some big decisions and changes to simplify our business idea from a line of 10 pieces to just one piece that could be worn multiples ways.

We launched our Kickstarter, becoming the highest-funded fashion project, and found the mentorship from someone who had done it before. That partnership single-handedly helped us push forward and go into production with 4x the capital we had planned on.

When I was wandering through this industry uncertain about what to do next, I found someone to help me.

I hope I can be that someone for you.

Everything you need to launch the business of your dreams is within your reach.

 

 

 


Manufacturing Checklist CTA-1


 

Francisca Pineda is the founder and designer of Bhava, a conscious footwear company. We first met in NYC last year for lunch, and I learned that not only is she a designer, but she also organizes sustainable fashion retreats in Costa Rica and teaches ethical design classes at FIT.

Today, Francisca is digging deep into her advice for new designers and giving us an insider’s perspective into what it’s like to be a business owner in the fashion industry. From sourcing to sketching to marketing, Francisca is a pro at what she does and it shows. Enjoy!

How did you get started launching Bhava?

I think like most other designers, it started because I couldn’t find what I wanted in the market place. After graduating from Parsons, I started working for a high-end apparel brand and was in charge of all of their accessories. By the time I launched Bhava I had experience in every category of accessory design.

Launching Bhava was something I had actually started planning back in 2009. We had the name and logo ready but the timing wasn’t right and I had gotten a job offer I couldn’t refuse. At that time, I knew I wanted to make an ethical collection but didn’t truly understand “ethical fashion” or the importance of using environmentally-conscious materials.

It wasn’t until a few years later that I started learning about the devastation caused by the leather industry, as well as fast fashion manufacturing. This “awakening” happened after I personally witnessed the disabling effects of the toxic chemicals used in the majority of leather production. Soon after, I became obsessed with learning about all aspects of the chemicals being used, the workers who were exposed, and the “dead zones” that this industry creates.

I started taking all the  Ethical Fashion classes offered at FIT, and attending any sustainability or ethical fashion events that I heard of to continue to learn and connect with others. Once you learn the importance of our decisions as designers and consumers, it’s pretty difficult to go back. I made a personal promise to myself to make a change, because the thought of profiting from such a destructive system was no longer an option for me. And this is ultimately what gives me the drive to keep going with Bhava.

I believe we are all drawn to our unique causes and experiences. I chose to embrace the challenge and proceed full steam ahead. When the time was right we started slowly testing only a few styles at a time. You have no idea what you don’t know until you start! Sizing, fit, pricing, and what colors or materials people respond to are what I feel are really important to test in the beginning. Although it sounds so risky to start a fashion brand these days, it is possible to be cautious and thoughtful in planning a collection so there is as little risk as possible involved.

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What does a “typical” day look like for you?

Every day is different, but in general I am not a morning person. I prefer to start work later in the day and into the night and spend the beginning of my day on self-care. This includes a short focus meditation, oil pulling, some light core yoga, and fresh turmeric tea with lemon.

Usually, I try to get through the urgent e-mails with production, delivery, sales, and customer service first.  I work with manufacturers in different time zones so it’s important for me to reply to them right away. All of this usually takes half of my day.  When it’s time to sketch and look at materials (my favorite part) it’s usually in the afternoon when I am more relaxed.

Lately, I am most excited about bringing beautiful new materials to the market. I spend about a third of my year traveling to find new and exciting materials. Last season, I was in Europe and next week I will be away for a month in India, and the UAE.  I never know what I will find, it is always an adventure and that excitement and spontaneity translates into each collection.

Tell us about your supply chain. How did you go about sourcing materials and finding a production partner?

Finding a production partner in footwear and accessories is probably the most time consuming and costly part of launching.  Since I had many years of working in the industry, I had contacts that trusted me and my aesthetic and knew that I understood the business. I started there.

Now that the brand is a little more established, it’s easier to get in the door with a new supplier but it still takes time and trial and error to find the right manufacturing partner. If you start out too demanding they will be turned off, but if you are too soft, production may be delayed or poorly executed. It is a fine balance.

I also recommend working within the strengths of each manufacturer, and not pushing them too quickly into new production techniques without enough time to test. Every material reacts differently in each design — this is the trial and error part that can get costly and time consuming — but is extremely important for a brand seeking longevity in the market.

Because our mission is to work with responsibly-sourced and environmentally-conscious materials, I feel I need to source myself as I know my manufacturers will not ask the same questions that I will. We invest a lot in our materials because that is what differentiates our brand from the others in the market. I’ve had to take very expensive trips into little, tiny towns with no transport just to meet with a supplier. Often those with the most beautiful and exciting materials are the most difficult to find. Sometimes it’s not worth it, but the more effort you put in the more it will show. Materials are the first thing a customer sees and feels about your product. That first touch will connect them with your brand in a real way that words or images cannot.

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What have you found to be your best marketing strategy?

Marketing is important, but it can be a waste of time and resources if there is no demand for your product.  I recommend designers make a first sample of their product and try to sell that (to a stranger) before spending a year on a business plan. Once you know that you have a market that is in tune with your aesthetic and price point, then go all out with your marketing strategy.

When marketing it’s important to start testing because I found that I accidentally stumbled upon some of my most effective communication strategies. We recently collaborated on a small capsule collection for the holidays with NYC-based Vaute Couture. It was our first collaboration with another brand and it came about very naturally from having met Leanne (the founder) at an event that we were both speaking at.

It was something that was exciting for both brands because it was new and our products complimented each other.  This natural excitement and anticipation was evident in our social media and e-mail marketing communication, it wasn’t forced. Customers are more savvy than ever. I think they can tell when a brand has been over-strategic and a message is over-explained.  I think it’s important to embark upon projects and events that truly excite you.

For me, marketing is exciting and an area for entrepreneurs to truly show their creativity and ingenuity. If this is not your strength, you need to find someone who does love telling your story and partner with them. Someone has to hear about you somehow. Overall, you need to trust your gut, and if you see too many people trying the same approach like the same website style, or e-mail pop-up, then it’s important to think of a new way to do it, you never know what you’ll create!

What advice do you have for aspiring entrepreneurs who want to start their own ethical apparel / accessories companies?

This may seem a bit harsh, but it’s something that has stuck with me through my career as a designer.  While attending Parsons, I had one the most notoriously critical professors. He felt he was doing his students a favor by showing them how tough the industry was, often making them cry and drop out.  I actually don’t think this technique would probably be too welcomed these days, but back then it was one of the aspects that gave Parsons their reputation of graduating the best.

Anyway, when we would present our designs for a critique, his term for bad design was “markdown.” Meaning, you may think you have just created the coolest design ever, but if you truly think about it, is it possible that what you love most about your design could cause it to end up on the “markdown” rack at Century21?

Try to visualize your customer walking into a store, trying on your design, and loving the way it feels. If you can’t see this happening, or have too many design details that would create what is referred to in marketing as “friction” or too many doubts from making the purchase, you may have a “markdown” on your hands.

To run a company, you need a balance of “best sellers”  and some “editorial” pieces. This balance is something we are still figuring out, but it gets easier as you go along. I can think of a design or two that I was personally so in love with when I should have been more critical. But you learn as you go. It’s one thing to design something we would love to see someone wear, but it’s quite another to get someone to spend a good amount of their hard earned money on your vision of how to dress.

To check out the Bhava online store and upcoming spring collection click here.


 


 

Lisa Hackwith is the designer, founder and creator behind Hackwith Design House, a women’s apparel company that offers limited-run garments. In HDH’s own words:

“Instead of designing for mass production, we immerse ourselves wholeheartedly in the process and create every piece with the intention of it becoming that special highlight of your closet. We create less than 25 of each piece, which makes all of them uniquely rare and special.”

Starting out as a one-woman show who now has a team of sewers and a partner to run operations, Lisa is proving that independent design and conscious business is possible — as well as profitable.

With an Instagram following of 85K, a recent feature in Design*Sponge and a loyal fan base of customers, Hackwith Design House is well on its way to leading the independent design movement.

I spoke with Lisa about how she got started, her best marketing strategy and her advice for aspiring entrepreneurs.

How did you get started launching your own apparel company?

I taught myself to sew after I graduated from college with an studio art degree. I took a year off to research MFA programs when I discovered my medium – designing and making clothes. Over the next five years, I sewed daily. I had some success with my Etsy shop and getting wholesale orders, but in order to make the business sustainable, something had to change.

In February 2013, I took a few months off to re-work my business model; I re-launched Hackwith Design House in September 2013. The new model centered on my priorities: staying in Minneapolis, manufacturing all the clothing in the U.S., and making sure I love everything with my name on it. Thus the limited-edition model was born: 2-4 designs are released every Monday, no more than 25 pieces of each.

Since September 2013, I’ve hired 3 seamstresses and have partnered with Erin Husted to run operations. In August 2014, we added the HDH Basics line, and in January 2015, we added HDH Swim.  It’s been so fun (and so much hard work!) to see the company grow the way it has.

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What does a “typical” day look like for you?

As any small business owner knows, a typical day is anything but. Each day presents new challenges, new opportunities, and constant work.

I usually come into the studio around 8:30 each morning and spend the day designing, making patterns, making sample pieces, instructing my lead seamstress on new pieces, and going over wholesale orders, marketing or business strategies with Erin.

I leave anywhere from 6-7pm and sometimes do some work at home. I appreciate that each day is a little different yet all still within working at what I love.

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How did you set up your supply chain at first? How has it changed since you started out?

The fabrics I work with are all sourced from a local, family-owned fabric store that specializes in purchasing run-off fabrics. I love going to the fabric store and feeling each new fabric until I find the right ones. I also love the idea of using fabrics that may not get used otherwise. We are in the middle of sourcing fabrics for Basics so that it can be a consistent fabric option. Our goal is to find a sustainable source for fabric, which is still harder than it should be.

What have you found to be your best marketing strategy?

I really enjoy partnering with bloggers by gifting them items that they can take photos of and use for styling.  It’s great to see how different women wear HDH pieces.

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What advice do you have for aspiring entrepreneurs who want to start their own ethical apparel companies?

When we are trying to make a decision, we do our best to think about more than the bottom line. We like to call ourselves a company with a conscience. But in doing so, one has to remember to weigh a variety of factors, from where fabrics are made, to how much we pay our employees, to creating garments that are quality.

We have found it to be helpful to think about solutions as being placed on a spectrum: on one end you have “the evil corporation” that cares about nothing other than increasing profit, on the other end you have the idyllic company that hurts no one and makes only good decisions. Most companies are somewhere in the middle. We try our best to make decisions that get us closer and closer to the good.

To learn more about Lisa, Erin and the team at Hackwith Design House, check out the HDH website here

Photo credit: Hackwith Design House


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Not everyone can take the dive on the first impulse to start a business. There are responsibilities: bills to take care of, student loans to pay off, and commitments to keep.

If you’re one of those people, though, who knows that you were meant to be an entrepreneur — and it’s only a matter of time before you’re ready — then there are a few things you can be doing in the months (or years) leading up to taking the plunge:

1.) Make sure there is a market need for your idea

Do you have a few ideas brewing for a future business? Recognize the ones that keep you up at night — the ideas that you just can’t stop thinking about. Once you’ve narrowed down what you think are your best ideas, get laser focused. The best ideas are the ones that have a distinct market need. This means that you’re filling a void, solving a problem, or relieving a painpoint for people.

One of my favorite entrepreneurial quotes is something along the lines of: Startups must sell painkillers. Not vitamins.

2.) Write a one-page business plan

Once you’ve determined your best idea with a distinct market need, write a one-page business plan. This is something you can do on your lunch break or after work with a glass of wine. The one-page business plan should include:

– Your vision (2 sentences)

– Your target market (2 sentences)

– Your competitive advantage (3-4 sentences)

– Your business model (2-3 sentences)

– A financial summary (3-4 sentences)

A good business plan should always be changing, so the best thing to do is get your first draft on paper. Remember that you aren’t bound to anything. The goal is to start thinking about your idea as a financially-viable product.

3.) Use social media to connect with others in the industry

Set up a personal Twitter account with a professional photo of yourself and write a brief bio that describes the things you’re interested in that relate to your future business. Follow people within your niche (for example: sustainable fashion, fashion entrepreneurship, American makers, etc.) by searching similar hashtags. Start a conversation with those people by sending out friendly, personalized tweets and try to start an ongoing dialogue.

Don’t get discouraged if they don’t respond at first. Sometimes it takes a few retweets of something that person has written for them to notice that you’re awesome and someone worth getting to know.

When my co-founder and I were first starting {r}evolution apparel we built almost all of our early following through Twitter. Some of those people are still friends today. Twitter is a great way to surround yourself with like-minded people in the entrepreneurial world without spending a huge amount of time sending out individual emails.

4.) Cultivate the “entrepreneurial mindset”

Because traditional education (and the corporate world) don’t do much to cultivate entrepreneurial thinking, you will have to unlearn a lot of the beliefs that have been embedded in your mind through conventional thinking.

There are books, blogs and podcasts available to show you that you are not limited by your preconceived notions of what is possible. Some of my favorites are:

Books

The Lean Startup by Eric Ries

The Fire Starter Sessions by Danielle LaPorte

Think and Grow Rich by Napoleon Hill

Blogs

The Blog of Tim Ferriss

The Middle Finger Project

The Art of Non-Conformity

Podcasts

The Unmistakable Creative

The Lively Show

No one wants to feel like they’re not living their purpose. By focusing on these preliminary business-building steps, you can know that you’re moving forward in the direction of eventually creating your dream business.

And then I’ll be here waiting when you’re ready to take the plunge.