Tag Archive for: fashion accelerator

If you’ve been in the fashion industry for a while or if you’re thinking about launching your own brand, you’ve likely heard advice, or maybe even rumors, that have stopped you in your tracks.

What’s true, what’s outdated and what’s simply false? Today I’m going to touch on five of the big myths that I hear most often:

1.) I can’t talk about my idea because someone will steal it.

It always makes me a little sad when I hear this because it’s fear-based thinking. And this type of mindset has no place in entrepreneurship.

The truth is, 99% of ideas never see the light of day. The chances of someone hearing about what you’re working on, stealing the idea and then actually launching and selling it, are slim.

That’s not to say it doesn’t happen on occasion, but your energy is so much better spent focusing on executing your vision and doing it your way. After all, your unique way of doing things is what is going to set it apart from the competition.

If you’re still not convinced, I’ve written about copycats and competition extensively here and here.

2.)  If you build it, they will come.

As nostalgic as this expression may be for baseball fans, it simply doesn’t hold up when it comes to starting an apparel brand.

That’s all to say, just because you complete a sample run, finalize your patterns and find a production partner, doesn’t mean that you’re set up to sell.

It’s estimated that about 75% of your pre-launch work should be dedicated to building an audience before you launch. That’s right, pre-production only makes up a quarter of your overall business strategy.

One of my most overused expressions is, “Don’t launch to crickets.” In other words, if you haven’t been building up buzz around your launch for months – yes, months – then it’s likely your sales will reflect that.

Within the Factory45 program, we dedicate 11 weeks to pre-launch marketing alone. In fact, Factory45’er Morgan Wagstaff says:

“The greatest gain for me was Shannon’s insight into marketing and launch strategy. I was able to connect with and get my brand in front of like-minded people because of the concepts and tools laid out in the course and that made a world of difference.”

There are lots of other “myths” I’ve heard over the years and one of the things I love most about my work is being able to bust those myths

3.) Suppliers will tell you what type of fabric you need.

Not true, and to be honest, they shouldn’t have to. Despite what you may think, it is not a supplier’s or manufacturer’s job to educate you. And you’ll start off on the wrong foot if you’re expecting that.

If you don’t know how the manufacturing industry works, how to place a fabric order, what you need for production, etc., then you should go back to the drawing board, do some research, read some blogs, books or hire someone to help you.

There are some surefire ways to shoot yourself in the foot before you’ve even really started and you need to learn what those are before you expect suppliers to give you their time. The sourcing network within the U.S. is relatively small, too, so you want to do whatever you can to avoid getting a reputation as *that* person.

4.) If you want to be taken seriously, then you have to go to fashion school.

I wrote about this last week and was happy to hear so many positive reactions. If you missed it, you can read it here.

5.) You need at least $500,000 or a celebrity endorsement to get started.

That may have been true years ago, before the internet and crowdfunding, but nowadays the average Factory45’er has been able to launch their first collection with just $20,000.

If that sounds like a lot, remember that this isn’t $20,000 you’re expected to have lying around in your bank account.

Through the work we do in Factory45, I teach all of my entrepreneurs how to raise money in a way that allows you to test the market and get your early customers to finance your first production run for you.

Too good to be true?

See for yourself here, here and here. (There are many other examples on our Alumni Stories page here.)


There are lots of other “myths” I’ve heard over the years and one of the things I love most about my work is being able to bust those myths.

The Factory45 philosophy proudly goes against fashion convention, and I’m excited to work with a new group of entrepreneurs this year who aren’t afraid to think outside the box, too.

 


two designers in studio working with fabric

Here is an email I get at least once a week:

“I’m so excited about Factory45 and really want to join this year! The only thing is, I don’t have a background in fashion – will this affect my chances of being accepted into the program?”

And every time, my answer is…

“Absolutely not!”

Going to fashion school has absolutely nothing to do with how successful you’ll be at launching your own apparel brand.

I’ve witnessed how true that is — over and over again.

Some of the most successful entrepreneurs to come through Factory45 couldn’t have told you the difference between a serger and a die-cutter.

What did they have on their sides instead?

They understood the value of hard work, grit, creativity and resilience.

And believe me, those skills are far more valuable in starting your own brand than knowing how to draft a pattern or sew a garment.

Don’t believe me?

Factory45’er Angela Tsai, who designed and launched the Mamachic, was a reporter for the NBA before she set out to start her own apparel company.

Hanna Baror-Padilla, who joined Factory45 in 2015, was a transportation planner while she launched her womenswear company Sotela.

Factory45’er Tiffany Shown was working for a PR firm when she started creating Fair Seas Supply Co., a line of organic cotton, round beach blankets.

I’ve had massage therapists, Wall Street bankers, stay-at-home moms, humanitarian workers, executive assistants, advertising execs, and the like, join Factory with no knowledge of manufacturing and without any background in fashion.

That’s all to say, any dog can learn new tricks as long as they seek out the education and are willing to learn.

 


This is an interview with Factory45’er Rachel Fernbach about the launch of her brand PonyBabe (update: rebranded to Farbrook Studio). With the help of a Kickstarter campaign, Rachel is raising money (update: has raised money) for her first production run of The 24 Hour Outfit.

What are you pre-selling on Kickstarter?

PonyBabe is a line focused on creating ultra comfy, versatile wardrobe staples for women. The clothing is made from premium super soft eco-friendly fabric and manufactured in Brooklyn, NY.  

The 24 Hour Outfit, now available for pre-sale on Kickstarter, is a collection of 4 pieces: a large wrap, a racerback tank top, a cardigan, and a pair of delicately pleated pants. Meant to be mixed, matched, layered, and worn on repeat – the 24 Hour Outfit is ideal for creative professionals, expecting/new mamas, yogis/meditators/dancers, minimalists, and travelers.

ponybabe-1-copy

Why did you choose to launch your brand through Kickstarter?

I started PonyBabe with personal savings, and did not have the cashflow to fund my first production run. I needed to raise money to get that going, and also wanted to make sure there was a demand for the clothing before getting any deeper into the process. As a new label, Kickstarter is an ideal way for me to raise money while also testing the waters, and it’s an effective way to spread the word about PonyBabe.

What was the most challenging aspect of creating your campaign?

Oh my goodness. I’m not going to lie: If I had known how challenging this all would be, I… still would have done it, but at least I would have been emotionally prepared for the insanity of doing so many new things for the first time!

I would say that what has been most challenging is simply the fact that I came into this industry with very little knowledge, and have had to learn so many new things, on a constant basis. (How to get samples and patterns made, how to produce a photoshoot and video shoot, how to use social media, how to build a website… the list goes on.)  It’s tiring, exhilarating, exciting, and also super cool to learn new things — but some days my bandwidth runneth low…

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You’ve done months of prep. What helped you keep up your momentum and motivation?

I started building my email list very early, and though it has grown slowly, having a supportive circle of dedicated and caring people has been priceless… each time I sent out an update (even if it was to say that things weren’t going as planned), I received back an email here and there encouraging me to keep it up and make those clothes. Those little love notes really kept my spirits up when things were hard.

 

Can you give us a little insight into your campaign strategy? What has been working and what hasn’t worked as well?

The clothes I’m making are a great fit for a lot of different lifestyles. With that in mind, I honed in on a few niches – yoga, dance, minimalism, eco-fashion, American-made, and maternity – and researched blogs, boutiques, magazines, and influencers who might have an interest in seeing PonyBabe get funded. It’s pretty early in my campaign, so I’m still waiting to see what winds up working best!

What seems helpful is connecting through my networks – i.e., friends of friends seem much more likely to want to help… but I’m not letting that stop me from reaching out to others as well.  As in all arenas of life, relationships are key: it’s important to make personal connections, and make offers to give instead of just making requests to receive.

ponybabe-3-copy

What do you do when self doubt starts to creep up?

Notice it, allow it to have some space, then choose to focus on the positive. I actively shift my attention to what is going well, while also acknowledging that this is a stressful experience, and it’s normal and healthy to feel a little nervous or worried from time to time.

My nerdy self-encouragement mantra right now is “People love me and want me to succeed.”  It’s surprisingly motivating! 🙂

What’s your favorite reward being offered in your campaign?

The Whole Outfit, of course! Each piece is great on its own, but putting on the whole outfit is pretty much a perfect recipe for instant comfy cozy bliss. I love how it makes me feel like cuddling up with a mug of tea and a good book.

If you had one piece advice for someone considering launching a Kickstarter, what would it be?

Go for it! And ask for help from people, because it’s a lot for one person to take on.

You can check out Rachel’s campaign for The 24 Hour Outfit by PonyBabe hereTo read more about Rachel’s experience in Factory45, read her alumni story here.

 


 
 
 



 

Last week, I was having celebratory drinks with a friend right around the time applications to Factory45 were closing.

“So…” she asked. “How did it go?! Did you have a lot of awesome people apply?”

When I told her yes, that I doubled the applicant pool and grew by 156%, her next question was:

“What’s next then? Are you going to blow this thing up or what?”

I took a sip of my drink, giving me time to try and come up with an answer that wouldn’t disappoint her.

“I don’t think so…” I said. “I like keeping things relatively small and manageable. I like having work / life balance and not being overwhelmed by a ton of other commitments.”

As the words came out of my mouth, I knew how they sounded.

Unambitious, at best.

Lazy, at worst.

My friend, on the other hand, runs a women’s clothing brand and is gunning for an IPO.

Her and her business partner dream of ringing the bell at the New York Stock Exchange, having hundreds of employees to manage, and working out of a big corporate headquarters.

Me? I just want to be able to go to yoga at noon on a Tuesday.

While there was once a time that I dreamed of running a 7-figure business, the “why” behind my work has changed over the years.

And having been on both sides of the spectrum, I can tell you there isn’t a right or a wrong motive for doing business.

What can get you in trouble is deciding to start a company and not having a “why” at all.

Thanks to Sheryl Sandberg, the “Lean In” movement, feminism and the amazing work that female executives are doing to boost leadership, women business owners are being pushed to want it all.

Yes, we hear, you can be a CEO and be a really great mom.

And while I believe that’s absolutely true, it doesn’t mean that you have to want it.

Is it okay to start a business so your family has an extra $1,000/month in spending money? Yes.

Is it okay to start a business so you can quit your full-time job and be at home when your kids are done with school? Absolutely.

Is it okay to start a business so you can work remotely and travel the word? Of course.

And YES, it’s also okay to want to be the next Tory Burch.

At the very beginning of the Factory45 program, I ask all of my entrepreneurs to write down the “vision” for their company in a one-page business plan.

Lately, I’ve been thinking about how we should all be asking ourselves to write down the “vision” for our lives, as the owners and creators of our businesses.

As you take this big step and make the commitment to embark on entrepreneurship, ask yourself:

What is my “why?”

What are the personal reasons for wanting to start a business?

Is it for fame, for glamour, for wealth, for freedom, for security, for flexibility, for fun?

As time goes on, your answer can change. But it’s your “why” that’s going to keep you moving past the hurdles and the hard times.

It’s your “why” that’s going to define you as an entrepreneur.

And whether you’re the entrepreneur who comes home at 10pm every night, fulfilled by a hard day’s work, or the entrepreneur who works 30 hours a week and has afternoon dance parties in her home office, only you know what will move you and drive you forward.

Define your “why” and you’ll be that much closer to defining your business.

 

Photo credit: Bench Accounting


new entrepreneurs

How do you ensure success? Who stands out from the crowd? What separates the pros from the amateurs?

There aren’t any definitive answers. And I’m not even going to begin to try and analyze them. What I will say, is that over the years, I’ve been observing. Working with startups and new entrepreneurs on a regular basis has provided rare insight into what makes one person get ahead of the rest.

Here are five way to set yourself up for success that go beyond conventional wisdom:

1.) Make it easy to help you.

Most people are excited and willing to help out new entrepreneurs. But the likelihood of connecting with someone who is more seasoned in the industry is largely dependent on how you make the “ask.”

The first and most obvious way to sabotage yourself is by writing an inquiry email that scrolls on for block paragraph after endless block paragraph. In most cases if you’re looking for advice, the person you’re seeking out is busy.

I implore you, keep your email to no more than two to three short paragraphs. Your chances of getting a response are incrementally higher and I promise you’ll come across as more professional — and more effective.

Bonus tip: ask a specific question. Avoid using phrases like, “Can I pick your brain?” Instead, ask the exact questions you want to know the answers to. Once you have your foot in the door and get a response, you can follow up from there.

2.) Write thank you notes.

They don’t have to be handwritten and shipped via snail mail, but if someone takes the time to jump on a call on your behalf, follow up with them. I’m always surprised when I block out a free 30 minute call to answer someone’s questions and I never hear from them again.

Regardless if the advice was good or not, it’s common courtesy to express gratitude to someone who gave their time to you.

This is especially applicable when a contact goes out on a limb to introduce you to someone. It makes that person and yourself look bad if you don’t take the time to follow up afterwards.

Good things come from gratitude. And the most successful entrepreneurs show how much they value the people who helped them along the way.

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3.) Start before you’re ready.

Should I launch now? Should I get more real world experience first? Should I go back to school? Only you know the answer that’s right for you, but my recommendation to most aspiring entrepreneurs is to start before you’re ready.

Building a business requires a long runway. It’s not only about the amount of hours in the day that you spend on your business, but the months and years that you take building up to it. As I tell my entrepreneurs (on repeat), launching a successful company is a marathon not a sprint.

The sooner you can start fleshing out your ideas, seeking out mentorship, connecting with industry peers and educating yourself, the better off you are in the long run. The old cliche usually holds true: Tomorrow you’ll wish you had started today.

>> Tess, that one was for you : )

4.) Be consistent.

The entrepreneurs who get ahead are calm and collected. They’re methodical, they’re strategic and they don’t get easily frazzled.

Can’t figure out how to link up your domain to your server? “No problem, I’m sure tech support can help me.”

First sample came in two sizes too big? “No worries, I’ll speak with my factory and have them fix it.”

Kickstarter video is low quality? “No big deal, we’ll reshoot.”

When you’re first starting out, your attitude and the way you handle challenges are going to dictate how you respond in the months or years of your business to come. The entrepreneurs that get ahead know there is a solution for everything. And sometimes the solution falls under the guise of a better option.

Building a business is not an overnight endeavor. It requires consistency of action, which means not giving up if something doesn’t work the first time.

5.) Ask for help.

I’m going to let you in on a secret. Nobody builds a successful business by doing it on their own. That’s right, nobody.

The entrepreneurs and mentors you see online or in fashion magazines are all getting help, seeking out mentors of their own, building advisory boards and seeking out further education.

In the past six months, I’ve taken three online courses, countless webinars, hired a consultant and sought out a mentor myself. This is in addition to the five part-time employees that help me build my business.

Solopreneurship is a farce. If you want to get ahead, then you have to seek out help from others and continue to invest in yourself.

That’s what separates the amateurs from the pros.

 


 
 
 


Has anyone else jumped on the podcast train? I can’t seem to get enough of them.

I’ve shared before that podcasts have been apart of my morning routine since 2014. It’s usually the first thing I do when my alarm goes off.

Recently, though, I’ve had the opportunity to get in front of the microphone myself. So today, I wanted to share three different interviews I’ve done (about three different topics) in case you’re like me, and are constantly looking for more content to tune into:

The Creative Giant Show: How to Sew Business Success in the Fashion Industry with Sustainable Apparel Strategist Shannon Whitehead.

I connected with host Charlie Gilkey back in 2010 when I was just starting to explore the world of entrepreneurship. And I was recently invited on his podcast to talk about:

  • Why I decided to start a sustainable apparel company, despite the risks involved.
  • Which challenges to consider if you’re thinking about starting a clothing company.
  • Which business trends are disrupting the fashion industry.

>> Listen here 

Conscious Chatter: Made in the USA

I mentioned this new podcast in my blog post from last week — it was started by my friend Kestrel Jenkins who has been in the sustainable fashion industry for years. Our interview focuses on “Made in the USA” and Kestrel and I discuss:

  • How outsourcing affected the U.S. economy after NAFTA was signed.
  • Why localized manufacturing is important for every country.
  • How the movement is growing because of small, independent brands.

>> Listen here

Bootstrapping It: Creating an Online Accelerator Program for Apparel Startups with Shannon Whitehead, Founder of Factory45

Host Vince Carter interviews entrepreneurs who are bootstrapping their companies rather than trying to raise VC funding. So, of course, we had a lot to talk about. In the interview, we cover:

  • Why you should be honest with yourself about your business ambitions.
  • How to use Kickstarter and pre-sales to fund your business startup.
  • How to strategize so that you spend your startup funds on the right resources.

>> Listen here

Enjoy!

 

 


 
 
 


Market45

“That’s, like, pretty much what I’m doing.”

“She’s selling the same thing I am.”

“I just found out X person is also making X product, so what’s the point in me even trying?”

As someone who works with and mentors new entrepreneurs on a regular basis, I’m no stranger to panicked emails popping up in my inbox about the discovery of a competitor.

“And she’s so much farther along!”

“And they already have 3,000 followers on Instagram!”

“They’re using organic cotton and making it in the USA, too!”

As soon as we discover potential competition, our cortisol levels shoot through the roof and we imagine the worst case scenario.

EVERYONE is going to buy from HER instead of ME.

So I might as well quit.

And while yes, quitting is the easiest route to take (in any situation) there are many more reasons to keep going:

  • An idea is just an idea. Everyone has them. What sets you apart is your ability to execute. 99% of ideas never see the light of day, so if you’re able to get your product to market, then you’re already that much farther ahead than everyone else. So much of entrepreneurship is simply a matter of keeping your head down and doing the work. It’s not glamorous, but there’s really no alternative.
  • The “me versus them” mentality is the fastest way to sabotage yourself. As soon as you start thinking the world is against you and the universe is set up for you to fail, then it’s over. I’ve never met a successful entrepreneur who didn’t operate with an “abundance mentality.” Repeat after me: there are enough customers for me and there are enough customers for them.
  • Competition breeds creativity. Having competitors in the market forces you to innovate, think outside the box and pushes you to do better than you would have done if you had a monopoly. While it may give you anxiety at first, you have the ability to reframe how it makes you feel. It can either deflate you or empower you — and you have the power to choose.
  • Competition shows you there is a need in the marketplace. Having other players in the game means there is a big enough pool of people who want what you’re selling. The market share is there and it’s your job to find a way to take a piece of the pie.
  • The great news about being in the clothing business is that, unless you’re selling to nudists, everyone needs it. Fashion is a $1.5 trillion dollar industry. That’s a lot of people buying clothing. And the average American buys 62 pieces of clothing a year. As fast fashion continues to gross more people out, you’re there to provide an alternative ethical option. How cool is that?
  • And this. This is the best reason of all: Despite how many people are selling (or plan to sell) something similar to you, no one is ever going to do it the same way you are. That’s just fact. There is no one else on this planet that is even remotely close to the same person as you and thus, the way you create is going to be different from everyone else. 

No matter how many new kids lines or womenswear lines or outwear lines debut, they’re all going to be unique to their creator. And that’s why it’s so important to know who your target customer is. It relieves you from having to sell to “everyone” so you can focus on selling to the special group of people it’s made for. There is so much freedom in that.

I know I’ve written about competition before, but it’s the topic that continues to come up because it’s so much scarier when you’re just starting out.

Working with mostly women entrepreneurs has taught me how sensitive most of us are. We want perfection, we want everything to go the right way the first time, and we want to show everyone around us that we can do it.

As soon as we hit a bump in the road, we tend to question our intentions.

Who was I to think I could pull this off?

When really, who are you not to?

 

 


 

new designer, advice

Whenever anyone asks me:

What’s your one piece of advice for new designers?

I always have the same answer. I’ve worked with hundreds of entrepreneurs over the years, and I warn all of them of the same mistakes that I made when I was first starting out in the fashion industry.

Let me take you back to the summer of 2012. I’m living out of a 1993 Chevy Conversion van on a three-month “sustainable fashion tour” of the Pacific Northwest.

Van-Roadtrip, new designer, advice

Six months prior, my co-founder and I had launched the highest-funded fashion project in Kickstarter history to fund the production of our first piece, the Versalette by {r}evolution apparel. We were on a mission to shake up the fashion industry, to prove that less is more, and to show everyone that conscious consumerism can change the world.

By working with a sew shop in the U.S., sourcing 100% recycled, U.S.-made fabric, and considering every tiny part of our supply chain, we had attracted the attention of 1,400 first customers, in addition to media outlets such as The New York Times.

But that’s not where we started.

My journey into fashion production began a year and a half earlier when my co-founder and I first came up with the idea to start a “sustainable clothing company.” We had no idea what that really meant, so we blindly began contacting any person we thought had the slightest chance of helping us.

We called organic cotton farmers in Texas, environmental studies professors in Missouri, eco-fashion models in Brooklyn, Merino wool suppliers in New Zealand and the list goes on…

Looking back at the emails I sent to suppliers, I know now that my inquiries surely got a swift click of the delete button. I didn’t know how to talk to industry veterans, I had no idea how to talk “the talk,” and it showed.

Eventually though, after a year and a half of trying, we found fabric and materials that fit our sustainability guidelines, a sew shop who would work with a fledgling startup, and that’s when we successfully funded our Kickstarter campaign.

If we thought sourcing was difficult, we couldn’t have imagined what the production process had in store for us.

sewing machine, new designer, advice

First hurdle, the organic cotton drawstrings we needed were on backorder and the sew shop couldn’t move forward until they had all materials in-house. We got bumped off their production calendar and couldn’t get back on until the drawstrings arrived.

By the time we began production, we were running four months late.

The backordered drawstrings, production delays and an additional shipping fiasco were rookie mistakes we had to live with and learn from.

But the next mistake we made was the biggest one of all — and it’s the only thing from this story that you really need to remember:

We weren’t at the sew shop when production started.

Sure, we signed off on samples and patterns, but the worst decision we made was not being with our production team when Versalettes started coming off the line.

We weren’t there to offer additional quality control, answer questions in person, build relationships with our sewers and get them invested in our project.

And it came back to bite us.

Our first shipment of Versalettes arrived and a third of them had crooked pockets, misplaced button holes, lost drawstrings or unfinished seams. We got a second shipment and it had the same problem. The sew shop was sending us batches of 40 units at a time and instead of being thrilled to open them, I was terrified.

At the time, it would have been easy to blame the sewers for being “unskilled,” but that simply wasn’t the truth.

Being completely new to the industry, we didn’t know how crucially important it was to a build relationships with our sew shop and be there at the beginning of production.

We had no one to blame but ourselves.

When you’re first starting out, trying to do design and marketing and media outreach and customer service and blogging and everything else yourself, it can be easy to take production for granted and assume someone else is handling it.

The thing is, no one is ever going to care about your product as much as you do.

new designer, advice

After we received our second batch of Versalettes, I flew to North Carolina to visit our sew shop and work out the “kinks.” I spoke to each sewer individually, shared the article about us from The New York Times, and showed them photos of our models wearing the Versalette.

Spending a few days with our team, I finally understood that relationship building in the manufacturing industry is no different than in any other industry.

Shortly after I flew back to the west coast, our third shipment arrived.

Not a mistake in the bunch.

 

 

 

This originally appeared as a guest post on Startup FASHION here.


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clothing company

The winter of 2011 was a tough one. I had been trying to set up a supply chain for my clothing company for five months and by February, my co-founder and I had hit a mental and logistical standstill.

Looking back, five months seems like nothing. But for two driven, go-getter types, every ignored email and unanswered phone call was a mini blow to our motivation.

We simply couldn’t figure out what we were doing wrong. How was it possible that not one fabric supplier, factory or sew shop would give us the time of day?

We were at our wits end when we got a reply from a designer who said he could make our first samples. We didn’t have fabric or materials yet, but at least samples would feel like progress.

When we got on our first phone call with him he was adamant that we should fly to North Carolina to meet him. We could go over everything, work face to face and make a plan of attack for moving forward.

Resting our hopes on the chance that this person could also introduce us to a fabric supplier or a manufacturer, we booked flights for the following weekend.

All things considered, our weekend in North Carolina was weird.

We checked into a hostel in downtown Asheville and immediately went to a nearby bar where the designer had told us to meet him.

What ensued was a three hour “happy hour” in which he continued to slug beer after beer while not once mentioning our business, our design ideas or why we were there.

Promising that he would get to “it” eventually, we arranged to meet the following day at his home.

If this sounds sketchy, remember that a lot of designers / samplemakers / patternmakers work out of their homes. Also, remember that we had flown 1,000 miles, spent our savings on flights, and felt like we had no other option.

Desperation puts you in interesting situations.

We spent several hours the next day in his basement going over our sketches, spec sheets and designs and we decided that we would start with just one sample to test the waters.

He said he would create a prototype for our “maxi dress” design and ship it to us in two weeks. We left North Carolina feeling hopeful and cautiously optimistic.

Turns out, we didn’t receive our sample in two weeks.

It showed up in four weeks and when I pulled it out of the box, it looked nothing like our original design.

Instead of being full length, it was knee-length.

Instead of a sweetheart neckline, it had a scoop neck.

Instead of spaghetti straps that tied around the neck, it had thick straps that went straight back.

To top it off, he had included a “sash” to be tied around the waist in a bow!

My co-founder and I got on Skype (we didn’t live in the same city) and I showed her a dress that couldn’t have looked more different than the one we designed.

We had just spent hundreds of dollars on flights, hotels, a rental car and other travel expenses and we still owed money to pay for a sample we couldn’t use.

It was a critical moment and I had reached a breaking point.

I was mad at myself for not listening to my gut, I was mad at the designer for making us fly across the country, and I was mad that we listened to him.

All signs pointed to: You’re crazy for thinking you could do this.

Quit now.

And that would have been a much easier option — except that’s not how dreams work.

I was either going to do this, despite how freaking hard it would continue to be, or I was going to walk away.

Thank goodness, I decided to keep going.

To be fair, it didn’t get any easier in the following eight months. But we did make some big decisions and changes to simplify our business idea from a line of 10 pieces to just one piece that could be worn multiples ways.

We launched our Kickstarter, becoming the highest-funded fashion project, and found the mentorship from someone who had done it before. That partnership single-handedly helped us push forward and go into production with 4x the capital we had planned on.

When I was wandering through this industry uncertain about what to do next, I found someone to help me.

I hope I can be that someone for you.

Everything you need to launch the business of your dreams is within your reach.

 

 

 


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how I got started

Six years ago, I was 24 and had just gotten back to the States after spending two years “bartending my way around the world.”

I had once been the girl who envisioned herself in the corner office — but after two years abroad, I knew that I would never get a “real job.”

I wanted to create something bigger than myself. I wanted to start a business that would allow me to wake up every morning and go after my dreams. In typical GenY fashion, I didn’t want to help build someone else’s dream.

It was a divine twist of fate when I got a Facebook message from a friend shortly after I got home. She said she was going through a “quarter life crisis,” dreading the possibility of sitting in a cubicle all day, and suggested we start something together.

That “something” turned out to be a sustainable apparel company.

Of course, it didn’t happen immediately.

Our plan was to create a company that would be 100% made in the USA, using fabrics and materials that did the least amount of harm to the environment as possible.

But we quickly found out that having a plan wasn’t enough. We were naive, unversed in industry lingo, and had zero connections in the fashion industry. It became obvious very early on that what we were trying to accomplish wouldn’t be easy.

We spent money on the wrong things, made every mistake possible, wasted time pursuing leads that ended in dead ends and continuously took two steps back with every one step forward.

Looking back at the emails I sent to fabric suppliers, I now know that my inquiries surely got a swift click of the delete button. I didn’t know how to talk to industry veterans, I had no idea how to walk “the walk,” and it showed.

But after a year and a half, having nearly depleted both of our savings accounts, the stars aligned.

We received a response about a private label inquiry we had sent to a contact form. After a few meetings, we made the decision to source and manufacture our first production run under the guidance of a company who had done it before.

The company was a startup itself but was farther along and had the production infrastructure that we lacked. They also had the knowledge, connections and reputation. After pushing forward solo for so long, we had found someone to take us by the hand and walk us through the process.

We had finally found the mentorship we needed.

A month later, we broke records launching the highest-funded fashion project in Kickstarter history.

We quadrupled our first production order, were featured in The New York Times, and started our business with 1,400 customers.

got started

Fast forward to today and I’ve been able to acquire the knowledge, skills, connections and reputation that I didn’t have when I was first starting out.

In the last few years, I’ve helped over 70 entrepreneurs set up supply chains in the U.S., source sustainable materials and bring their products to market.

Factory45 is the program I created for entrepreneurs, like me, who have a vision and a plan but need the mentorship and resources to get started.

I’ll be looking for a crew of committed designers, makers and entrepreneurs who want to join me in creating a more ethical and transparent fashion industry. If that sounds like you, mark your calendar.