Has anyone else jumped on the podcast train? I can’t seem to get enough of them.

I’ve shared before that podcasts have been apart of my morning routine since 2014. It’s usually the first thing I do when my alarm goes off.

Recently, though, I’ve had the opportunity to get in front of the microphone myself. So today, I wanted to share three different interviews I’ve done (about three different topics) in case you’re like me, and are constantly looking for more content to tune into:

The Creative Giant Show: How to Sew Business Success in the Fashion Industry with Sustainable Apparel Strategist Shannon Whitehead.

I connected with host Charlie Gilkey back in 2010 when I was just starting to explore the world of entrepreneurship. And I was recently invited on his podcast to talk about:

  • Why I decided to start a sustainable apparel company, despite the risks involved.
  • Which challenges to consider if you’re thinking about starting a clothing company.
  • Which business trends are disrupting the fashion industry.

>> Listen here 

Conscious Chatter: Made in the USA

I mentioned this new podcast in my blog post from last week — it was started by my friend Kestrel Jenkins who has been in the sustainable fashion industry for years. Our interview focuses on “Made in the USA” and Kestrel and I discuss:

  • How outsourcing affected the U.S. economy after NAFTA was signed.
  • Why localized manufacturing is important for every country.
  • How the movement is growing because of small, independent brands.

>> Listen here

Bootstrapping It: Creating an Online Accelerator Program for Apparel Startups with Shannon Whitehead, Founder of Factory45

Host Vince Carter interviews entrepreneurs who are bootstrapping their companies rather than trying to raise VC funding. So, of course, we had a lot to talk about. In the interview, we cover:

  • Why you should be honest with yourself about your business ambitions.
  • How to use Kickstarter and pre-sales to fund your business startup.
  • How to strategize so that you spend your startup funds on the right resources.

>> Listen here

Enjoy!

 

 


 
 
 


Market45

dictate your success

I have a friend in the sustainable fashion industry who is amazing.

Out of college, she interned for an international eco-fashion brand, she’s worked for big designers in NYC, she’s helped to run a fashion-tech startup on the west coast, and she’s constantly debuting her own creative projects.

One of her most recent endeavors is a podcast with people in the sustainable fashion industry and to announce it, she sent out an email to her network.

When a big-name womenswear designer replied back my friend was awestruck.

“I can’t believe she is interested!” she said to me.

To which I replied, “Um, of course she’s interested. You’re, like, amazing. And everything you do is amazing.”

“Do you think I should ask if I can interview her?” Insert grimace of trepidation.

Me: “Uh, YES! I’m sure she would be honored! Do it!”

It took less than a week for my friend to hear back from the designer and get an interview on the books.

As an outsider looking in on the situation, it was so clear to me why this person would immediately say “yes” to my friend’s request.

My best guess is that the designer was equally thrilled and honored to be asked.

But to my friend, making the ask was scary and nerve-racking. She was the one having to make herself vulnerable to rejection and in doing so, the stakes were automatically heightened.

We all put people on pedestals (I’ve written about imposter syndrome before here). Most of us can think of at least one person we feel inadequate to. We get it in our heads that because of our [age / experience / station in life / upbringing / background / etc.] we’re not worthy of the people around us.

I can’t tell you how many times I’ve heard this from one of my entrepreneurs in Factory45:

“I reached out to this patternmaker… she wrote me back once and then I never heard from her again. It really knocked my confidence.”

Fact: As entrepreneurs, we cannot let our perception of others dictate the decisions we make and how we navigate forward.

As soon as we do, we’re letting other people determine our success.

For all we know, we’re letting an unanswered email that could’ve ended up in a spam folder, hinder us from moving forward.

And yes, we all do it. Sure, there is the occasional ego-less robot whose confidence doesn’t waver, but for the rest of us mortals we can’t help but question our place among others.

Where do I belong? Am I understood? These are questions humans have been asking themselves since the beginning of time — back when we were using rocks as dishware.

But I’d argue that as entrepreneurs, those questions take on an even deeper meaning. Do my ideas matter? Am I making the world a better place?

dictate success, imposter syndrome, people on pedestals

We tend to look for outside opinions to validate those answers.

Recently, I was connected with an entrepreneur in the venture capital and development space, who has been a coach to entrepreneurs for several decades.

Originally, we were supposed to jump on call to talk through a pre-interview so I could be on his podcast, but after our call, he told me he wanted to do more.

“Shannon,” he said. “How can I support you beyond a 30-minute podcast? I really believe in what you’re doing and you’re one of the only people out there doing it. How can I help you?”

When we got back on the phone he expressed interest in mentoring me and immediately my thoughts jumped to:

“Why would he be interested in me?”

“How can I fairly compensate him?”

“I don’t want to waste his time…”

When we got on our third call it was clear how much he believed in Factory45. No strings attached. He wanted to do what he could to help me succeed.

So, why did I question my worth? Because of his LinkedIn profile? Or his bio? Or his successful company and connections to other entrepreneurs I admire?

Why do those external factors dictate our internal dialogue?

Because they shouldn’t.

If we’re all going to succeed as entrepreneurs (and yes, there is enough success for all of us), then we can’t hold back, waiting to see how others will respond.

We have to take the favor from the exec we met at a networking event. We have to click “send” on the cold pitch to Vogue. We have to accept the meeting with the intimidating industry veteran. We have to believe we’re worthy of the help we are offered.

It’s safe to say there isn’t anyone giving us gold stars or A+’s anymore. It’s our job as highly-capable, driven entrepreneurs to give them to ourselves.

The future of our businesses depend on it.

 

 

 

*This post was published with permission from Kestrel.


When I was a sophomore in high school my best friend’s mom told me:

“Shannon, you’re not for everyone. People either love you or they don’t.”

In retrospect, maybe it wasn’t the best thing to say to an insecure 16 year old but in her defense, I was a pain in the ass.

When I was younger I was opinionated, bossy and vocal. There were multiple times when I was asked to leave my world history class for arguing a point too emphatically (Ms. Gillard, I owe you a drink).

Much of my formative years were spent relishing in my “individuality” and how people responded to it. I prided myself on being polarizing because no one had to guess where I stood.

Over the years I’ve chilled out and matured, but this idea of “not being for everyone” has stayed with me — and it’s taught me something about entrepreneurship.

The fastest way to sabotage your business is by trying to be everything to everyone.

Have you heard the expression: If you’re trying to appeal to everyone, then you’re actually appealing to no one?

This is one of the most valuable pieces of marketing advice you can remember.

I’m not suggesting that you start pissing people off, arguing with your customers and forcing your opinions on others. We’re not teenagers anymore.

What I am suggesting is that you get very clear on who your company is meant to serve, so that you don’t waste time trying to market to people who don’t fit that mold.

Not only will this cut down on the risk of competition (which I’ve written about before here and here), but it will ensure that the right people find you.

Market studies have proven that the better you are at establishing a niche, the faster your customers will come out to support you.

Here’s an example: Factory45 alumni VETTA is a five-piece capsule collection that can be mixed and matched to create a month’s worth of outfits.

Founder Cara Bartlett did an excellent job of designing, positioning and marketing her first collection to appeal to a particular niche of women.

While yes, it would be nice if every woman in the world pre-ordered from their Kickstarter campaign, VETTA doesn’t try to appeal to every woman in the world.

The VETTA customer is an aspiring minimalist, conscious consumer and wants to do more with less. The majority of women in the world don’t think about their fashion choices that way, but this positioning has ensured that the right people find out about VETTA and the right press writes about them.

If it was just another run-of-the-mill women’s clothing line on Kickstarter, then I guarantee they wouldn’t have seen the success they’ve had.

That’s all to say, VETTA reached its $30,000 goal in five days and was featured by Who What Wear and Darling Magazine. It then went on to raise a whopping $89,000 in pre-sales. 

VETTA - 5 Pieces

So, how do you make sure that you’re not for everyone?

First, you have to figure out who your customer is by digging deep — in Factory45, I ask my entrepreneurs to answer over 30 questions about their ideal customer.

Where does he/she live? What kind of books does she read? Where does she hang out online? Where does she shop? Is she religious? What political affiliation does she gravitate towards?

You can’t begin to effectively market to your customers until you know who she is, how she feels and what she believes. Everything you message and market is riding on the fact that you know your customer inside and out.

As another example, we can look at my own business. Factory45 is positioned, messaged and marketed in a way that appeals to a certain type of person:

  • I don’t believe in making more clothing for the sake of making more clothing, so I market to entrepreneurs who want to solve problems for people.
  • Environmental responsibility is important to me so I only accept entrepreneurs who care about sustainability, too.

Factory45 isn’t the only fashion accelerator out there, but it is the only one of its kind. My business model is unique, my philosophies are different, and what I teach can’t be found elsewhere in the fashion education landscape.

This helps to ensure that the right people apply to Factory45 and the wrong people join a different fashion accelerator.

It’s that simple. And it can be that simple for your business, too.

So, the next time you find yourself writing a product description or an “about” page or a sales page that is boring and generic, just think of teenage Shannon…

What would she do? ; )

Photo credit (second photo): VETTA


apparel production

The question that so often comes up for new designers is about production. For anyone who is new to the industry, the apparel manufacturing process is something of a mystery.

With every production partner having its own way of doing things, this isn’t surprising. Production is one of those parts of creating a physical product that, until you’re in it, there’s no way to fully prepare.

Challenges will come up for you that won’t come up for your peers. Questions will go unanswered until you’re in the thick of the production line. And truthfully, the best way to learn is by going through it.

With that said, there are ways to prepare yourself, knowledge to obtain and lessons to learn before you dive in. The better prepared you are with the concepts, terms and order of production, the better off your first production run will be.

With this in mind, I interviewed Mindy Martell, the owner and president of Clothier Design Source, an apparel production house in St. Paul, Minnesota. In this 20 minute video interview, Mindy and I talk about:

  • Some of the early mistakes that new designers make in the production process.
  • A list of the 7 most important things you need in place before you can start production.
  • An explanation of what grading is, why you need it and what’s involved in grading a garment.
  • What a new designer should know about ordering labels.
  • How production cutting works, what “yield” is and how different colorways can affect your cost.
  • What to expect when you start production.
  • How to control your quality.
  • And Mindy’s most important piece advice for new designers.

Watch the whole interview here.